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"I haven't," says Geoffrey. Cold, and half wild with horror, she yet retains her presence of mind, and, beckoning to one of the dogs, says imperiously, "At him, Spice!" pointing to Paul Rodney. "What horse are you taking?" asks she, holding him..

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"Oh, yes," says Mona, brightening even under this small touch of friendliness. "I'm very fond of it, too. I can get through all the steps without a mistake." Lady Rodney and Violet are sitting over the fire, and now Mona joins them, gowned in the blue satin dress in which she had come to meet Geoffrey, not so many months ago, in the old wood behind the farm. Every evening about sundown the man used to climb up to the top of this butte and sit there and look all over the country to see where the buffalo were feeding and whether any enemies were moving about. On top of the hill there was a buffalo skull, on which he used to sit. She is clad in a long white dressing-gown, loose, yet clinging, that betrays each curve of her svelte, lissom figure. It is bordered with swansdown, and some rich white lace, that sits high to her neck and falls over her small hands. Her hair is drawn back into a loose knot, that looks as if it would tumble down her back should she shake her head. She is pale, and her eyes are peculiarly large and dark from excitement. They are fixed upon Rodney with a gaze that belies all idea of fear, and her lips are compressed and somewhat dangerous..